You are here

In Her Own Words

It isn’t a circle—it is simply a long line—as in geometry, you know, one that reaches into infinity. And because we cannot see the end—we also cannot see how it changes. And it is very odd that those who see the changes—who dream, who will not give up—are called idealists…and those who see only the circle we call them the “realists”!

Asagai to Beneatha, Act III. In Lorraine Hansberry, A Raisin in the Sun. With an introduction by Robert Nemiroff. NY: Vintage, 2004.

It is in the nature of men to take life for granted; only the absence of life will seem to you the miracle, the greatest miracle—and by the time you understand that it should be the other way around—well, it will be too late, it won’t matter then.

Lorraine Hansberry. From What Use are Flowers? in Les Blancs: The Collected Last Plays. Includes The Drinking Gourd and What Use are Flowers? Edited, with critical background by Robert Nemiroff, with a Foreword by Jewell Handy Gresham Nemiroff and an Introduction by Margaret B. Wilkerson, 254. New York: Vintage Books, 1994. 

Do I remain a revolutionary? Intellectually—without a doubt. But am I prepared to give my body to the struggle or even my comforts? This is what I puzzle about.

Lorraine Hansberry. In To Be Young Gifted and Black: Lorraine Hansberry in Her Own Words. Adapted by Robert Nemiroff with an introduction by James Baldwin, p.83. NJ: Prentice-Hall, 1969

I am a writer. I am going to write.

Lorraine Hansberry writing to Robert Nemiroff, December 26, 1952. In To Be Young Gifted and Black: Lorraine Hansberry in Her Own Words. Adapted by Robert Nemiroff with an introduction by James Baldwin, p.87. NJ: Prentice-Hall, 1969.

I am ashamed of being alone. Or is it my loneliness that I am ashamed of? I have closed the shutters so that no one can see. Me. Alone.

Lorraine Hansberry, Easter, 1962. Lorraine Hansberry, To Be Young Gifted and Black: Lorraine Hansberry in Her Own Words. Adapted by Robert Nemiroff with an introduction by James Baldwin. NJ: Prentice-Hall, 1969.

If anything should happen—before ‘tis done—may I trust that all commas and periods will be placed and someone will complete my thoughts—This last should be the least difficult—since there are so many who think as I do—

Lorraine Hansberry, undated. In To Be Young Gifted and Black: Lorraine Hansberry in Her Own Words. Adapted by Robert Nemiroff with an introduction by James Baldwin, p. 261. NJ: Prentice-Hall, 1969.

Look at the world that awaits you! 

Lorraine Hansberry, “The Nation Needs Your Gifts” speech to the Readers Digest/United Negro College Fund creative writing contest winners, May 1, 1964. 

The supreme test of technical skill and creative imagination is the depth of art it requires to render the infinite varieties of the human spirit—which invariably hangs between despair and joy. 

To Be Young Gifted and Black: Lorraine Hansberry in Her Own Words. Adapted by Robert Nemiroff with an introduction by James Baldwin, p.xvii. NJ: Prentice-Hall, 1969. 

The thing that makes you exceptional, if you are at all, is inevitably that which must also make you lonely. 

Lorraine Hansberry writing in her journal, May 1, 1962. In To Be Young Gifted and Black: Lorraine Hansberry in Her Own Words. Adapted by Robert Nemiroff, with an introduction by James Baldwin, p.137. NJ: Prentice-Hall, 1969.

Write if you will: but write about the world as it is and as you think it ought to be and must be—if there is to be a world. Write about all the things that men have written about since the beginning of writing and talking—but write to a point. Work hard at it, care about it. Write about our people: tell their story. You have something glorious to draw on begging for attention. Don’t pass it up. You have something glorious to draw on begging for attention. Don’t pass it up. Use it. Good luck to you. The Nation needs your gifts. 

Lorraine Hansberry speech, “To Be Young, Gifted, and Black,” given to Readers Digest/United Negro College Fund creative writing contest winners, NYC, May 1, 1964.