Marilyn Stasio says, “The performance is a personal triumph for Washington, who refrains from star-strutting to fold himself into a tight-knit ensemble of committed stage thesps who treat this revival like a labor of love.”
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Ben Brantley of the New York Times notes that ". . .a drama often presented as something monumental, to be approached with awe and piety, becomes refreshingly accessible."
The bottom line in David Rooney's review of A Raisin in the Sun for the Hollywood reporter: The charged emotions and earthy humor of Lorraine Hansberry's 1959 play remain undimmed.
Peter Marks, writing for The Washington Post, applauds Kenny Leon’s 2014 production of A Raisin in the Sun.
The Portland Theater Scene says that The Sign in Sidney Brustein’s Window by Lorraine Hansberry at the Oregon Shakespeare Festival is a complex, unexpected portrait of the early 1960s
Artistic staff of the Oregon Shakespeare Festival talks about Lorraine Hansberry and this lesser known play that she wrote at the end of her life.
The New York Times Learning Network provides teaching and learning materials and ideas based on New York Times content. This week’s Text to Text series looks at the 1959 A Raisin in the Sun by Lorraine Hansberry and “Discrimination in Housing Against Nonwhites Persists Quietly” by Shaila Dewan (The New York Times, June 11, 2013) in a lesson plan by Susan Chenelle and Audrey Fisch.
The Oregon Shakespeare Festival has published a short trailer with scenes from their 50th anniversary production of The Sign in Sidney Brustein’s Window and comments from the OSF’s dramaturg, Lue Morgan Douthit, and the director of the play, Juliette Carrillo.
Director Kenny Leon and actors Denzel Washington, Anika Noni Rose, Sophie Okonedo, and LaTonya Richardson Jackson talk about bringing this American classic back to Broadway.
Christopher Paul Moore, Senior Researcher, Schomburg Center for Research in Black Culture in Harlem, New York speaks about the legacy of Lorraine Hansberry.