Melissa Anderson reviews the exhibit, “Twice Militant: Lorraine Hansberry’s Letters to The Ladder.”
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Victoria Brownworth of Lambda Literary places “Twice Militant: Lorraine Hansberry’s Letters to The Ladder” in context.
Roberta Kent calls the Oregon Shakespeare Festival production a love letter to the award-winning Lorraine Hansberry.
David Stabler’s review for The Oregonian wonders about the risk of mounting Lorraine Hansberry’s play: a play very much of its time—60s idealism, fighting oppression, changing the system. Will a cynical modern audience find it quaint?
In Lorraine Hansberry: A Museum Show and Opening the Archive, OutHistory offers several perspectives on the queer intersectionality of Lorraine Hansberry: “What I Love, What I Hate, What I Should Like,” “Opening the Restricted Box: Lorraine Hansberry’s Lesbian Writing,” and “Hansberry's Letters to The Ladder Quoted.”
In a review for Hyperallergic, Alexis Clements explores “Twice Militant” exhibit at the Brooklyn Museum.
A new exhibition, “Twice Militant: Lorraine Hansberry’s Letters to The Ladder” examines a lesser-known aspect of the life of the award-winning author of the landmark play A Raisin in the Sun, who died in 1965 at the age of thirty-four. The exhibition features documents and publications addressing Hansberry’s identification as a feminist and a lesbian, and will be on view in the Herstory Gallery of the Elizabeth A. Sackler Center for Feminist Art from November 22, 2013, through March 16, 2014.
John Schwartz of the New York Times reviews “Twice Militant: Lorraine Hansberry’s Letters to The Ladder.”
Director Juliette Carrillo of the Oregon Shakespeare Festival talks about Lorraine Hansberry and this lesser known play that she wrote at the end of her life.