The New York Times Learning Network provides teaching and learning materials and ideas based on New York Times content. This week’s Text to Text series looks at the 1959 A Raisin in the Sun by Lorraine Hansberry and “Discrimination in Housing Against Nonwhites Persists Quietly” by Shaila Dewan (The New York Times, June 11, 2013) in a lesson plan by Susan Chenelle and Audrey Fisch.
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03.12.2014
The Oregon Shakespeare Festival has published a short trailer with scenes from their 50th anniversary production of The Sign in Sidney Brustein’s Window and comments from the OSF’s dramaturg, Lue Morgan Douthit, and the director of the play, Juliette Carrillo.
03.10.2014
In an interview with “Good Morning America” co-anchor Robin Roberts, the actor talked about his Broadway history.
03.05.2014
Director Kenny Leon and actors Denzel Washington, Anika Noni Rose, Sophie Okonedo, and LaTonya Richardson Jackson talk about bringing this American classic back to Broadway.
03.03.2014
Christopher Paul Moore, Senior Researcher, Schomburg Center for Research in Black Culture in Harlem, New York speaks about the legacy of Lorraine Hansberry.
02.26.2014
Melissa Anderson reviews the exhibit, “Twice Militant: Lorraine Hansberry’s Letters to The Ladder.”
02.25.2014
David Stabler’s review for The Oregonian wonders about the risk of mounting Lorraine Hansberry’s play: a play very much of its time—60s idealism, fighting oppression, changing the system. Will a cynical modern audience find it quaint?
02.25.2014
Victoria Brownworth of Lambda Literary places “Twice Militant: Lorraine Hansberry’s Letters to The Ladder” in context.
02.25.2014
Roberta Kent calls the Oregon Shakespeare Festival production a love letter to the award-winning Lorraine Hansberry.
02.14.2014
In “A Night at the Shakespeare Fest,” David Templeton reviews the four plays that open the year-long Oregon Shakespeare Festival and concludes that “the best of the bunch, so far, is Hansberry’s final play, The Sign in Sidney Brustein's Window. Whatever else is said about it, it’s certain to become one of the most hotly debated plays of the spring season.”